Loglines sells screenplays!
It doesn’t matter how good your screenplay is, if you don’t know how to write a good logline your screenplay will never get read.
When replying to requests for your screenplay, they always want your logline and a synopsis or one-pager. If you have a pitch deck you can send it as well, but it’s not expected unless stated in the post. The logline gives us an overview of your story and it give us an idea of the script’s marketability
But here’s the hard truth: no one will ever read your screenplay if your logline doesn’t hook them first.
In the competitive world of screenwriting, a strong logline is your golden ticket. Whether you’re submitting to contests, agencies, or production companies, they’ll always ask for two things: your logline and a synopsis (or one-pager). Occasionally, they may request a pitch deck, but that’s usually optional unless specified.
So why does the logline matter so much?
Because it’s the first thing decision-makers see—or rather, the first thing their readers see. And those readers? They’re gatekeepers. Executives, producers, and directors rarely read unsolicited scripts themselves. Instead, they rely on readers to filter through submissions and flag the most promising ones. If your logline isn’t sharp, your script might never make it past the first round.
What Exactly Is a Logline?
A logline is a one-sentence summary (usually 30 words or fewer) that captures the essence of your story. In rare cases, it can stretch to two sentences and up to 50 words—but brevity is key.
Its purpose? To intrigue. To tease. To sell.
A great logline gives the reader a clear sense of:
- Who your protagonist is
- The world they inhabit
- The central conflict
- What’s at stake
It shouldn’t spoil the ending—but it should make someone want to turn the page and read more.
How to Write The Perfect Logline
Let’s break it down into five essential elements:
1. Introduce Your Protagonist
Start with who your story is about. Give us something memorable in just a few words. Avoid generic labels like “a man” or “a woman.” Instead, highlight what makes your character unique.
Example:
“A paraplegic Marine”
This tells us immediately that our hero has physical limitations—and already hints at a potential arc.
2. Set the World
Is your story set in a futuristic city? A small town? A distant galaxy? Include the setting only if it adds context or enhances the stakes.
Example:
“On the moon Pandora”
Now we know we’re not on Earth anymore. This sets up the sci-fi tone and visual scope.
3. Inciting Incident
What event kicks off the story? This is the moment that changes everything for your protagonist—the point of no return.
Example:
“Sent to the moon”
This simple phrase introduces the mission, the reason the protagonist is there, and the catalyst for the conflict.
4. Protagonist’s Goal
What does your main character want? Their goal drives the plot and gives the audience something to root for.
Example:
“To follow his orders”
This shows motivation—even if it’s soon challenged by deeper emotional stakes.
5. Central Conflict
Conflict is the engine of drama. Define what’s standing in the way of your protagonist achieving their goal.
Example:
“But torn between following orders and protecting his new home”
Here we get internal and external conflict—the struggle between duty and loyalty, between man and machine.
Putting It All Together: The Final Logline
Avatar:
A paraplegic Marine is sent to the moon Pandora, where he must choose between following orders and protecting his new home.
Boom. One sentence. Clear. Concise. Compelling.
Real-World Logline Examples (And Why They Work)
Shawshank Redemption
“Two convicts form an unlikely friendship behind bars, seeking consolation and redemption through compassion.”
This version focuses on the emotional core of the film—not just escape, but hope and human connection.
Die Hard
“An NYPD officer tries to save his wife and several others taken hostage by German terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles.”
Clear protagonist. Clear antagonist. Clear stakes. Classic action logline done right.
Titanic
“Two star-crossed lovers fall in love on the maiden voyage of the Titanic and struggle to survive as the doomed ship sinks into the Atlantic Ocean.”
Romance meets tragedy. Emotional stakes + literal sinking stakes.
Finding Nemo
“When his son is swept out to sea, an anxious clownfish embarks on a perilous journey across a treacherous ocean to bring him back.”
Family-driven quest. Emotional hook. High stakes.
Can You Break the Rules?
Absolutely—but only if you know them first.
While traditional loglines follow a clear structure, some stories—especially experimental or artistic ones—might benefit from a more poetic or unconventional approach. Just remember: clarity still matters. If your logline becomes too abstract or confusing, it won’t serve its purpose.
Use creativity wisely. The goal is to intrigue, not alienate.
Final Thoughts: Your Logline Is Your Script’s First Impression
You wouldn’t show up to a job interview in pajamas. So don’t send your screenplay out with a weak logline.
Your logline is your elevator pitch , your hook , your first impression . It’s the backbone of your marketing materials and the foundation of your pitch deck.
Take the time to craft it carefully. Revise it. Polish it. Test it on friends. Read it aloud.
Does it grab attention? Does it make someone curious enough to read your script?
If not, go back to the drawing board.
Because when it comes to selling your screenplay, your logline doesn’t just open doors—it kicks them down.
